In addition to the environment in which man is placed by nature, without any participation on his part, he creates himself another, which is generally called the “cultural world.” When we consider the human being in this cultural world, we see that of all its multitudinous cultural forms his dress is not only the one which is physically closest to him but also that which most immediately and most intimately expresses his relation to the environment. Not even the cultural forms assumed by man’s most elementary vital activities, such as nutrition and reproduction, are so directly and so constantly interwoven with human life and the human body as dress is, except as they express themselves through it.
The guests at the Lanvin show in Paris had all been waiting more than an hour for the presentation to begin, and they were getting restless. This tardiness was out of character for Alber Elbaz, widely considered to be one of the most talented designers around—as well as among the most hospitable. He refrains from trussing models into unforgiving silhouettes that prohibit walking and make the consumption of anything more caloric than Saltines a wild-eyed risk.
It would turn out that the reason for the delay of his spring 2011 show was a matter of shoes. Elbaz’s original choreography had the models sashaying down a concrete walkway, about the length of a New York City block, wearing perilous stilettos. Apparently, during rehearsals, the skyscraper heels brought some of the models to tears. So Elbaz dispatched staff to retrieve kinder footwear. The result was a tardy show, but a beautiful one, with virtually half the models—an ethnically diverse lot—in flats.